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In 1997, Dench appeared in her first starring film role as Queen Victoria in John Madden’s teleplay Mrs Brown, which depicts Victoria’s relationship with her personal servant and favourite John Brown, played by Billy Connolly. Filmed with the intention of being shown on BBC One and on WGBH’s Masterpiece Theatre, it was eventually acquired by Miramax mogul Harvey Weinstein. Released to generally positive reviews and unexpected commercial success, going on to earn more than $13 million worldwide, the film was screened in the Un Certain Regard section at the 1997 Cannes Film Festival. For her performance, Dench garnered universal acclaim by critics and was awarded her fourth BAFTA and first Best Actress nomination at the 70th Academy Awards. In 2011, while accepting a British Film Institute Award in London, Dench commented that the project launched her Hollywood career and joked that “it was thanks to Harvey, whose name I have had tattooed on my bum”.

Dench was nominated for a BAFTA for her role as Hazel Wiles in the 1979 BBC drama On Giant’s Shoulders. She had a romantic role in the BBC television film Langrishe, Go Down (1978), with Jeremy Irons and a screenplay by Harold Pinter from the Aidan Higgins novel, directed by David Jones, in which she played one of three spinster sisters living in a fading Irish mansion in the County Waterford countryside. Dench made her debut as a director in 1988 with the Renaissance Theatre Company’s touring season, Renaissance Shakespeare on the Road, co-produced with the Birmingham Rep, and ending with a three-month repertory programme at the Phoenix Theatre in London. Dench’s contribution was a staging of Much Ado About Nothing, set in the Napoleonic era, which starred Kenneth Branagh and Emma Thompson as Benedick and Beatrice. She has made numerous appearances in the West End including the role of Miss Trant in the 1974 musical The Good Companions at Her Majesty’s Theatre. In 1981, Dench was due to play Grizabella in the original production of Cats, but was forced to pull out due to a torn Achilles tendon, leaving Elaine Paige to play the role.

Dench made her first professional stage appearance in September 1957 with the Old Vic Company at the Royal Court Theatre in Liverpool, as Ophelia in Hamlet. According to the reviewer for London Evening Standard, Dench had “talent which will be shown to better advantage when she acquires some technique to go with it.” Dench then made her London debut in the same production at the Old Vic. She remained a member of the company for four seasons, 1957–1961, her roles including Katherine in Henry V in 1958 (which was also her New York City debut) and Juliet in Romeo and Juliet in 1960, both directed and designed by Franco Zeffirelli. During this period, Dench toured the United States and Canada and appeared in Yugoslavia and at the Edinburgh Festival. She joined the Royal Shakespeare Company in December 1961, playing Anya in The Cherry Orchard at the Aldwych Theatre in London and made her Stratford-upon-Avon debut in April 1962 as Isabella in Measure for Measure. She subsequently spent seasons in repertory both with the Playhouse in Nottingham from January 1963 (including a West African tour as Lady Macbeth for the British Council), and with the Playhouse Company in Oxford from April 1964.

After a long gap in the series of James Bond films following Licence to Kill (1989), in GoldenEye (1995) the producers brought in Dench to take over as the role of M, James Bond’s boss. The character was reportedly modeled on Dame Stella Rimington, the real-life head of MI5 between 1992 and 1996; Dench became the first woman to portray M, succeeding Robert Brown. The seventeenth spy film in the series and the first to star Pierce Brosnan as the fictional MI6 officer, GoldenEye marked the first Bond film made after the dissolution of the Soviet Union and the end of the Cold War, which provided the plot’s back story. The film earned a worldwide gross of US$350.7 million, with critics viewing the film as a modernisation of the series. She also starred in BBC1’s As Time Goes By, a romantic comedy. Several series of the show were made between 1992 and 2005. In 1995, she played Desiree Armfeldt in a major revival of Stephen Sondheim’s A Little Night Music, for which she won an Olivier Award.

From 1981 to 1984, Dench starred in Britain’s BAFTA award-winning A Fine Romance with her husband Michael Williams. In 1987, Dench played a supporting role in Columbia Pictures film 84 Charing Cross Road, with Anne Bancroft and Anthony Hopkins. The film dramatizes a delightful and tender correspondence, of the same title, between American writer, Helene Hanff and British bookshop manager, Frank Doel, which began after WWII, in 1949, and ended in 1969. She also acted with the National Theatre in London where she played Cleopatra in Antony and Cleopatra (1987). In 1989, she appeared in David Tucker’s Behaving Badly for Channel 4, based on Catherine Heath’s novel of the same name. That same year, she was cast as Pru Forrest, the long-time silent wife of Tom Forrest, in the BBC soap opera The Archers on its 10,000th edition.

In a biography by John Miller it was noted that in the late 1990s Dench was the patron of over 180 charities, many of which were related either to the theatre or to medical causes, for example York Against Cancer. Dench is a patron of the Leaveners, The Archway Theatre, Horley, Surrey, and the relationship research and innovation charity OnePlusOne (formally known as OnePlusOne Marriage and Partnership Research, London.)

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