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ะกัƒั…ัƒัŽ ั‚ั€ะฐะฒัะฝัƒัŽ ัะผะตััŒ ะธะทะผะตะปัŒั‡ะธั‚ัŒ ะดะพ ะฟะพั€ะพัˆะบะพะพะฑั€ะฐะทะฝะพะณะพ ัะพัั‚ะพัะฝะธั, ะทะฐะปะธั‚ัŒ ะบะธะฟัั‚ะบะพะผ, ะดะฐั‚ัŒ ะฝะฐัั‚ะพัั‚ัŒัั 20-30 ะผะธะฝัƒั‚. ะ—ะฐั‚ะตะผ ะถะธะดะบะพัั‚ัŒ ะฝัƒะถะฝะพ ัะปะธั‚ัŒ, ะฐ ะพัั‚ะฐะฒัˆัƒัŽัั ั‚ะตะฟะปัƒัŽ ั‚ั€ะฐะฒัะฝัƒัŽ ะบะฐัˆะธั†ัƒ ะทะฐะฒะตั€ะฝัƒั‚ัŒ ะฒ ั‚ะพะฝะบัƒัŽ ะผะฐั€ะปัŽ ะธ ะฝะฐะฝะตัั‚ะธ ะฝะฐ ะพั‡ะธั‰ะตะฝะฝัƒัŽ ะบะพะถัƒ ะปะธั†ะฐ.

ะญั‚ัƒ ะดะพะผะฐัˆะฝัŽัŽ ะผะฐัะบัƒ ะดะปั ะปะธั†ะฐ ะผะพะถะฝะพ ะฟั€ะธะผะตะฝัั‚ัŒ ะดะปั ะฑั‹ัั‚ั€ะพะณะพ ั€ะตะทัƒะปัŒั‚ะฐั‚ะฐ ะฟะตั€ะตะด ะฒะฐะถะฝั‹ะผ ะผะตั€ะพะฟั€ะธัั‚ะธะตะผ ะธะปะธ ะบัƒั€ัะพะผ ะดะปั ะฝะฐะบะพะฟะธั‚ะตะปัŒะฝะพะณะพ ัั„ั„ะตะบั‚ะฐ. ะšะฐะบ ะธ ะดั€ัƒะณะธะต ะปัƒั‡ัˆะธะต ะผะฐัะบะธ ะดะปั ะปะธั†ะฐ ะฒ ะดะพะผะฐัˆะฝะธั… ัƒัะปะพะฒะธัั…, ะพะฝะฐ ะฟะพะปะฝะพัั‚ัŒัŽ ะฝะฐั‚ัƒั€ะฐะปัŒะฝะฐ ะธ ะฑะตะทะพะฟะฐัะฝะฐ.

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Eye-tracking research in local bookkeepers’ offices in the UK suggested that, in slots games, the reels dominated players’ visual attention, and that problem gamblers looked more frequently at amount-won messages than did those without gambling problems.

Skill stop buttons predated the Bally electromechanical slot machines of the 1960s and 1970s. They appeared on mechanical slot machines manufactured by Mills Novelty Co. as early as the mid 1920s. These machines had modified reel-stop arms, which allowed them to be released from the timing bar, earlier than in a normal play, simply by pressing the buttons on the front of the machine, located between each reel.

Natasha Dow Schรผll, associate professor in New York University’s Department of Media, Culture and Communication, uses the term “machine zone” to describe the state of immersion that users of slot machines experience when gambling, where they lose a sense of time, space, bodily awareness, and monetary value.

ะฑัƒะบะฐะปัŒะฝะธะน ะผะฐัะฐะถ ะปะธั†ะฐ

Eye-tracking research in local bookkeepers’ offices in the UK suggested that, in slots games, the reels dominated players’ visual attention, and that problem gamblers looked more frequently at amount-won messages than did those without gambling problems.

Skill stop buttons predated the Bally electromechanical slot machines of the 1960s and 1970s. They appeared on mechanical slot machines manufactured by Mills Novelty Co. as early as the mid 1920s. These machines had modified reel-stop arms, which allowed them to be released from the timing bar, earlier than in a normal play, simply by pressing the buttons on the front of the machine, located between each reel.

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ะŸะตั€ะตะด ะฟั€ะพะฒะตะดะตะฝะธะตะผ ะผะฐะฝะธะฟัƒะปัั†ะธะน, ะบะพัะผะตั‚ะพะปะพะณ ะพั‡ะธั‰ะฐะตั‚ ะบะพะถัƒ ะปะธั†ะฐ ะพั‚ ะดะตะบะพั€ะฐั‚ะธะฒะฝะพะน ะบะพัะผะตั‚ะธะบะธ, ัะตะบั€ะตั‚ะฐ ัะฐะปัŒะฝั‹ั… ะถะตะปะตะท ัะตะฑัƒะผะฐ ะธ ะดั€ัƒะณะธั… ะทะฐะณั€ัะทะฝะตะฝะธะน. ะšะปะธะตะฝั‚ัƒ ั€ะตะบะพะผะตะฝะดัƒัŽั‚ ั€ะฐััะปะฐะฑะธั‚ัŒัั ะธ ะผะพั€ะฐะปัŒะฝะพ ะฟะพะดะณะพั‚ะพะฒะธั‚ัŒัั ะบ ะดะฐะปัŒะฝะตะนัˆะธะผ ะดะตะนัั‚ะฒะธัะผ ะบะพัะผะตั‚ะพะปะพะณะฐ. ะ’ะฐะถะฝะพ, ั‡ั‚ะพะฑั‹ ะผั‹ัˆั†ั‹ ะปะธั†ะฐ ะฑั‹ะปะธ ั€ะฐััะปะฐะฑะปะตะฝะฝั‹ะผะธ. ะขะฐะบะถะต ะฝะตะพะฑั…ะพะดะธะผะพ ะฟั€ะพะฒะพะดะธั‚ัŒ ะฟั€ะพั†ะตะดัƒั€ัƒ ะฝะฐ ะฟัƒัั‚ะพะน ะถะตะปัƒะดะพะบ, ะธะฝะฐั‡ะต ะผะพะถะตั‚ ะฒะพะทะฝะธะบะฝัƒั‚ัŒ ั€ะฒะพั‚ะฝั‹ะน ั€ะตั„ะปะตะบั ะธะท-ะทะฐ ั€ะฐะทะดั€ะฐะถะตะฝะธั ะฒะฝัƒั‚ั€ะตะฝะฝะตะน ะฟะพะปะพัั‚ะธ ั€ั‚ะฐ.

ยซะกะตะนั‡ะฐั ะฑัƒะบะบะฐะปัŒะฝั‹ะผ ะผะฐััะฐะถะตะผ ะฝะฐะทั‹ะฒะฐัŽั‚ ะปัŽะฑั‹ะต ะผะฐะฝะธะฟัƒะปัั†ะธะธ, ะบะพะณะดะฐ ะตัั‚ัŒ ะฒะพะทะดะตะนัั‚ะฒะธะต ั‡ะตั€ะตะท ั€ะพั‚ะพะฒัƒัŽ ะฟะพะปะพัั‚ัŒ, ั‚ะพะณะดะฐ ะบะฐะบ ะฑัƒะบะบะฐะปัŒะฝั‹ะน ะผะฐััะฐะถ ะฟั€ะตะดัั‚ะฐะฒะปัะตั‚ ัะพะฑะพะน ั‚ะตั…ะฝะธะบัƒ, ะบะพั‚ะพั€ะฐั ะฟั€ะตะดัƒัะผะฐั‚ั€ะธะฒะฐะตั‚ ัั‚ั€ะพะณัƒัŽ ะฟะพัะปะตะดะพะฒะฐั‚ะตะปัŒะฝะพัั‚ัŒ ะดะฒะธะถะตะฝะธะน, ะฒั‹ะฟะพะปะฝัะตะผั‹ั… ัะฝะฐั‡ะฐะปะฐ ะฝะฐั€ัƒะถะฝะพ, ะฐ ะทะฐั‚ะตะผ ั‡ะตั€ะตะท ั€ะพั‚ะพะฒัƒัŽ ะฟะพะปะพัั‚ัŒ.

ะ ะฐะทั€ะฐะฑะพั‚ะฐะปะฐ ั‚ะตั…ะฝะพะปะพะณะธัŽ ัั‚ะพะปัŒ ะฝะตะพะฑั‹ั‡ะฝะพะณะพ ะผะฐััะฐะถะฐ ะธะทะฒะตัั‚ะฝั‹ะน ะฑะธะพั…ะธะผะธะบ, ะฟั€ะพั„ะตััะธะพะฝะฐะป ะฒ ะพะฑะปะฐัั‚ะธ ะบะพัะผะตั‚ะพะปะพะณะธะธ ะ–ะพัะปัŒ ะกะธะพะบะบะพ. ะคั€ะฐะฝั†ัƒะถะตะฝะบะฐ ัƒะฒะตั€ะตะฝะฐ, ั‡ั‚ะพ ั€ะฐะดะธ ะบั€ะฐัะพั‚ั‹ ะผะพะถะฝะพ ะฒั‹ั‚ะตั€ะฟะตั‚ัŒ ะฝะตะฑะพะปัŒัˆะธะต (ะฐ ะพะฝะธ ะดะตะนัั‚ะฒะธั‚ะตะปัŒะฝะพ ะฝะตะทะฝะฐั‡ะธั‚ะตะปัŒะฝั‹ะต!) ะฑะพะปะตะฒั‹ะต ะพั‰ัƒั‰ะตะฝะธั. ะะตัะผะพั‚ั€ั ะฝะฐ ะฝะตะบะพั‚ะพั€ั‹ะน ัะบะตะฟั‚ะธั†ะธะทะผ ะฟะพ ะพั‚ะฝะพัˆะตะฝะธัŽ ะบ ะผะตั‚ะพะดะธะบะต, ะพะฝะฐ ัั‚ะฐะปะฐ ะฟะพะปัŒะทะพะฒะฐั‚ัŒัั ัะฟั€ะพัะพะผ ะฒ ะตะฒั€ะพะฟะตะนัะบะธั… ัะฐะปะพะฝะฐั…, ะฐ ะฒัะบะพั€ะต ะทะฐะฒะพะตะฒะฐะปะฐ ะผะธั€ะพะฒัƒัŽ ะฟะพะฟัƒะปัั€ะฝะพัั‚ัŒ. ะœะฝะพะณะธะต ะณะพะปะปะธะฒัƒะดัะบะธะต ะทะฒะตะทะดั‹ ะธัะฟะพะปัŒะทัƒัŽั‚ ะฑัƒะบะบะฐะปัŒะฝัƒัŽ ั‚ะตั…ะฝะธะบัƒ, ั‡ั‚ะพะฑั‹ ะฟั€ะธะดะฐั‚ัŒ ะปะธั†ัƒ ะทะดะพั€ะพะฒั‹ะน ะธ ัƒั…ะพะถะตะฝะฝั‹ะน ะฒะธะด. ะ’ ะฝะฐัั‚ะพัั‰ะตะต ะฒั€ะตะผั ะพั‚ะตั‡ะตัั‚ะฒะตะฝะฝั‹ะต ะผะตะดะธั†ะธะฝัะบะธะต ะธ ะบะพัะผะตั‚ะพะปะพะณะธั‡ะตัะบะธะต ั†ะตะฝั‚ั€ั‹ ะฐะบั‚ะธะฒะฝะพ ะฒะบะปัŽั‡ะฐัŽั‚ ั‚ะฐะบัƒัŽ ัะฒะพะตะพะฑั€ะฐะทะฝัƒัŽ ะฟั€ะพั†ะตะดัƒั€ัƒ ะฒ ัะฒะพะธ ัƒัะปัƒะณะธ.

ะ’ะฝะธะผะฐะฝะธะต! ะ”ะฐะฝะฝั‹ะน ะธะฝั‚ะตั€ะฝะตั‚-ัะฐะนั‚ ะฝะพัะธั‚ ะธัะบะปัŽั‡ะธั‚ะตะปัŒะฝะพ ะธะฝั„ะพั€ะผะฐั†ะธะพะฝะฝั‹ะน ั…ะฐั€ะฐะบั‚ะตั€ ะธ ะฝะธ ะฟั€ะธ ะบะฐะบะธั… ัƒัะปะพะฒะธัั… ะฝะต ัะฒะปัะตั‚ัั ะฟัƒะฑะปะธั‡ะฝะพะน ะพั„ะตั€ั‚ะพะน, ะพะฟั€ะตะดะตะปัะตะผะพะน ะฟะพะปะพะถะตะฝะธัะผะธ ั‡. 2 ัั‚. 437 ะ“ั€ะฐะถะดะฐะฝัะบะพะณะพ ะบะพะดะตะบัะฐ ะ ะพััะธะนัะบะพะน ะคะตะดะตั€ะฐั†ะธะธ. ะ”ะปั ะฟะพะปัƒั‡ะตะฝะธั ะฟะพะดั€ะพะฑะฝะพะน ะธะฝั„ะพั€ะผะฐั†ะธะธ ะพ ัั‚ะพะธะผะพัั‚ะธ ะธ ัั€ะพะบะฐั… ะฒั‹ะฟะพะปะฝะตะฝะธั ัƒัะปัƒะณ, ะฟะพะถะฐะปัƒะนัั‚ะฐ, ะพะฑั€ะฐั‰ะฐะนั‚ะตััŒ ะบ ัะพั‚ั€ัƒะดะฝะธะบะฐะผ ะผะตะดะธั†ะธะฝัะบะพะณะพ ั†ะตะฝั‚ั€ะฐ ะ’ะธั‚ะฐะœะตะดะธะบะฐ. ะ˜ะผะตัŽั‚ัั ะฟั€ะพั‚ะธะฒะพะฟะพะบะฐะทะฐะฝะธั. ะะตะพะฑั…ะพะดะธะผะฐ ะบะพะฝััƒะปัŒั‚ะฐั†ะธั ัะฟะตั†ะธะฐะปะธัั‚ะฐ.

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